Pomona College Magazine
Volume 44. No. 1.
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Pomona College Magazine is published three times a year by Pomona College
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Claremont/ The Village West
Expanded Possibilities

By Mary Marvin

Movie Buffs in Claremont no longer have to drive to Pasadena or Orange County to see the latest French comedy or Wes Anderson indie. With the July opening of the Laemmle Theatres in Claremont’s new Village West, independent and foreign films and even a few
“Hollywood” movies are only minutes away—and, for Pomona students, just a 10-minute walk from campus.

The 800-seat, five-screen theatre complex is one of the main attractions in the new Village expansion west of Indian Hill Boulevard, which includes a boutique hotel, an art museum and
a range of new shops in the renovated Packing House, and variety of national and local retailers and restaurants. The 10th and latest addition to the family owned chain of Southern California theatres, the Laemmle is the first movie house in Claremont since the Village Theatre closed its doors in 1979 after a 40-year run.

 “With the type of movies we offer, there are clear advantages to being in a college town,” says Greg Laemmle, president of the art-house chain. “Because we have no nearby competition, we’re not limited in the types of movies we can book. We plan on presenting a mix of both foreign and independent films, as well as some of the better Hollywood movies. We want to be the theatre for the entire community.”

One movie fan who has enjoyed the diverse offerings is Professor of Mathematics Sandy Grabiner. He, his wife and two visiting children were among the first in line opening night. “We live in Old Claremont and appreciate the opportunity to have a theatre we can walk to,” says Grabiner. “We’ve already been to several movies, including some that have been more widely available like Hairspray and Becoming Jane.” The theatre anchors a public plaza on the north end of the seven-acre commercial Village expansion, which was developed by the Tolkin Group. Scheduled for completion this fall, the plaza will be bordered by the 28-room hotel, called Casa 425, plus restaurants and shops, including an upscale bakery, a French restaurant, California Pizza Kitchen ASAP and Cold Stone Creamery.

“We want to have an urban plaza, a gathering place with a lot of activity in the evening,” says Chris Veirs, senior redevelopment planner for the city. “We’re planning to program events there, including a series of world music.” Concrete slabs that mimic rock outcroppings will be used as planters, walkways, benches and waterfalls. A series of about 20 bronze sculptures by Tom Otterness also will be part of the waterfalls, with the cartoonish figures of goldfish and mortarboard-wearing lizards ranging in size from six inches to just over three feet. The city has made point of incorporating public art in the expanded Village, says Veirs, including “Grove,” a Byzantine mosaic by Lynn Basa on the exterior of the new 477-space parking structure.

The first part of the Village expansion, The Packing House, opened last spring. The 1922 building was renovated by Arteco Partners, which is run by brothers Jerry Tessier, a graduate of Claremont McKenna, and Ed Tessier ’91. The two-story building houses the new Claremont Museum of Art, boutiques, restaurants and live/work lofts.

In addition to its restaurants and stores, the Village expansion will bring another dimension to Claremont: latenight hours. Two Packing House establishments— The Hip Kitty Jazz and Fondue Lounge and Casablanca, a Mediterranean bar and grill, are open until 2 a.m. And, even if all you crave is a steak or tuna pita, you can place an order at the Pita Pit on Indian Hill until 2 a.m. on Fridays and Saturdays. A decade after planning began on Claremont’s new addition, the expanded Village should be completely up and running later this year, says Veirs, just in time for holiday shoppers.

Laemmle in Review
A Pomona student and film buff reviews everything but the movie.

Although the five-screen Laemmle isn’t huge by L.A. standards, it offers everything that bigger
complexes do. The lobby has a large concession stand, with what looks like the usual movie fare (I didn’t have time to buy anything since I was rushing from class to get to the last matinee showing of 3:10 to Yuma).

The seats are up to industry standards—plush and comfortable, with armrests that flip up should you wish to sprawl out. The screen was impressive considering the size of the building, and, thankfully, the projector was not the low-resolution LCD that many newer theatres have.

The sound was the most impressive part of the theatre. Rarely does a moviegoer encounter
well-tuned speakers—they’re either too loud or too soft. Laemmle didn’t go cheap—whispers were clean and crisp and gunshots (and there were a lot of them) came through powerfully without killing your ears.
—Alex Glassmann ’10
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