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Competition / Ballroom Dance
Stepping Out
By Mark Kendall Alumni from long ago may get a lift out of learning they’re still very
much in step with today’s students, at least when it comes to dancing.
Tango, foxtrot, Viennese waltz—these are all big moves on campus
nowadays.
And, no, you can’t pin it all on the popularity of ABC’s Dancing with
the Stars. The Claremont Colleges Ballroom Dance Company was born a
decade ago and took off long before the TV show debuted in 2005.
Devoting long hours to early-morning rehearsals in Edmunds Ballroom,
some 80 students now are part of the company, with many more taking part
in their alcohol-free weekend events. The company keeps winning, placing
first in the formation event at the
National Collegiate Dancesport Championships for six of the last seven
years. The latest victory came in November, as the Claremont dancers,
clad in tailsuits and gowns, drew a standing ovation after performing
their Harry Potter-themed standard medley at a competition in Columbus,
Ohio.
“They kept complimenting us out the door,’’ says Paul Roach ’07, who is
in his first year as director. “We had people from other colleges asking
us how we run our program.”
So why are today’s busy, savvy students devoting so much time to
old-fashioned dancing?
Kimberly Loo ’08, a member of the company, devoted her senior
anthropology thesis to exploring ballroom dance culture at the 5-Cs.
“There are the people who do it because they love to dance, the people
who do it because they are awkward dancers and want to get better, the
people who do it because their friends are doing it, the people who do
it to make friends, the people who do it to win competitions …"
Mostly, though, she points to the “snowball effect” on campus, as one
student after another gets drawn into the camaraderie of the dance
company. “It’s about eating meals in Frary together after every
rehearsal,’’ Loo says. “It’s about going to the Coop after a night of
dancing salsa for hours, it’s about friends.”
Jay Daigle ’08, another of the dancers who performed in Ohio, took his
first social dancing class through the company because he was simply
tired of feeling silly when he danced at parties. He quickly “fell in
love” with ballroom dance, and today he helps teach dance classes as he
puts about 30 hours a week into rehearsals, social dancing and his work
as vice president of the company.
“It’s provided a great social environment and made me a lot more
comfortable and self-assured,” says Daigle, who adds that the program
provides a great way to meet people for students, like himself, who
don’t feel comfortable with traditional college party culture.
But what may start out as a social outlet can become “almost an
obsession,” says company member Joshua Leavitt ’10, who spent a good
chunk of his summer-job earnings on private lessons. His goal is to
perfect his foxtrot—an incredibly classy dance, he says—by senior year.
In the mean time, he finds there’s nothing quite like competing at a
national level, decked out in a tailsuit before a big crowd. “Everyone
is cheering and it just feels so good and you realize, ‘Yes, I can
dance.’”
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