Pomona College Museum of Art Exhibits "Kara Walker: Annotating History"
(c) Kara Walker - "Alabama Loyalists Greeting the Federal Gun-Boats - Harper¹s Pictorial History of the Civil War (Annotated)," 2005, lithograph and screen-print on paper. Museum purchase with funds provided by the Estate of Walter and Elise Mosher.
“Kara Walker: Annotating History” will be on view from November 1 through December 21, 2008, at the Pomona College Museum of Art in Claremont. An opening reception will be held at the Museum on Saturday, November 1, from 5 - 7 p.m. In conjunction with the exhibit, Gwendolyn Dubois Shaw, professor of American art and director of visual studies at the University of Pennsylvania, will present a public lecture titled “A Flood of Rememory: Hurricane Katrina and Visual Trauma,” on Thursday, November 20, at 4:15 p.m.
In 2007, Time magazine named Walker one of the top 100 most influential figures in the arts. Artist Barbara Kruger stated in the article: “Few have managed to capture the collision between past and present, between histories and horror stories, between sexuality and shame, between skin and meat, as powerfully and provocatively as Kara Walker.”
Best known for her iconic, room-size, silhouette installation pieces, Walker has gained notable recognition with exhibitions at the Museum of Modern Art, the San Francisco Museum of Modern Art, the Solomon R. Guggenheim Museum and the Whitney Museum of American Art. In 1997, Walker became the youngest recipient of the John D. and Catherine T. MacArthur Foundation Achievement Award, and was selected as the United States representative to the 2002 São Paolo Biennale in Brazil.
“Kara Walker: Annotating History” focuses on Walker’s rereading and restatement of the American Civil War, appropriating selected illustrations from the two-volume publication Harper’s Illustrated History of the Civil War of 1866/1868. Silhouette figures are superimposed over the illustrations, interrupting and transforming the dominant 19th-century narrative of battle, death and national sacrifice. Other representations of slavery and racism challenge both the selective erasures and portrayals of African Americans during the antebellum period and their involvement in the American Civil War.
The exhibition includes the original Harper’s Illustrated History of the Civil War, courtesy of the Claremont Colleges Honnold/Mudd Library, Walker’s cut paper installation Danse de la Nubienne Nouveaux, and Negress Notes, her series of gauche and ink drawings, courtesy of the Broad Foundation.
The Pomona College Museum of Art is located at 330 N. College Avenue (at the corner of College and Bonita), Claremont, CA. The Museum is free and open to the public Tuesday through Friday, from 12 to 5 p.m., and Saturday and Sunday from 1 to 5 p.m. For more information, call (909) 621-8283 or visit the museum’s website at www.pomona.edu/museum.
In addition to holding temporary exhibitions, Pomona College Museum of Art houses a substantial permanent collection which includes: the Kress Collection of 15th- and 16th-century Italian panel paintings; more than 5,000 examples of Pre-Columbian to 20th-century American Indian art and artifacts, and a large collection of American and European prints, drawings, and photographs.