Aperture Magazine, "John Divola at His Riverside Workplace" by Jonathan Griffin
In the distance, a soaring elevated freeway intersection frames a widescreen view of the San Gabriel mountains. The dissonance is typical of Southern California: awesome nature matched by equally awesome urban development. Despite the seemingly endless sprawl, it is rare in the Los Angeles basin that one cannot see out of it to the wilderness beyond.
Down below the traffic lies a quiet industrial development—rows of identical roller-doored units off a street with young trees and clipped lawns. In one of these units John Divola stores the bulk of his archive, which spans ﬁve decades, in metal shelves, with a table and empty walls at the front for viewing work. Two doors down, weightlifters have rented a unit as a gym. To his knowledge, he is the only artist on the block.