Real Deceptions: The Contemporary Reinvention of Realism. New York: Oxford University Press, 2017.
Feminine Look: Sexuation, Spectatorship, and Subversion. New York: State University of New York Press, 2008.
Moving Pictures: Where the Police, the Press, and the Art Image Meet. Sheffield: Sheffield Hallam University Press, 1998.
Peer-reviewed Journal Articles
"Interpassivity: Bonds of Pleasure and Belief" in Continental Thought & Theory: A Journal of Intellectual Freedom, vol. 2, issue 1. June 2018
“Corporeal Difference: Body Worlds and Cloaca” in theory@buffalo 19 issue, “Difference: Sexual, Cultural, Universal.” January 2017
“Documentary REAL-ism: A Lacanian approach to ‘This is Not a Film’ and ‘Catfish.’” CiNéMAS: Journal of Film Studies. Issue: Revoir Lacan, vol. 26, no 1, (2016), pp. 69-91.
“Breast Feeding and Middle-Class Privilege: A Psychoanalytic analysis of 'breast is best'.” Subjectivity vol. 8, issue 1 (2015). pp. 74-91.
“Imperfecting the Illusion: Belief and the Aesthetic Destruction of Reality.” Discourse: Journal for Theoretical Studies in Media and Culture.35.3, Fall (2013). pp. 384-399.
“Affecting Art: Barthes, Kertész, and Lacan.” (Re)-turn: A Journal of Lacanian Studies. Vols 3 & 4, Fall (2008) pp. 151-172.
“No Business like Schmo Business: Reality TV and the Fetishistic Inversion,” International Journal of Žižek Studies, Vol 1, No 1.3 (2007) pp. 1-17.
“How Should a Woman Look? Scopic Strategies for Sexuated Subjects." in Journal for Psychoanalysis of Society and Culture, vol. 8.1 Spring (2003) pp. 99-108.
Peer-reviewed Book Chapters/Edited Collections
“ÉPONGE/Sponge” in Living Together: Roland Barthes, the Individual, and the Community, (Eds. Stene-Johansen, Refsum, Schimanski). Oslo/NY: Transcript Verlag, 2018.
“How to Face Nothing: Melancholia and the Feminine” in Lars von Trier’s Women (Eds. Rex Butler and David Denny). New York: Bloomsbury Press, 2017. pp. 201-214
“ÉPONGE/Svamp.” [translated into Norwegian] In Å Leve Sammen (Living Together), (Ed. Knut Stene-Johansen). Oslo: Scandinavian Academic Press, 2016. pp. 242-254.
“Cinematic Ends: The Ties that Unbind in Claire Denis’s White Material” in Cinematic Cuts: Theorizing Film Endings (Ed. Sheila Kunkle). NY: SUNY Press, 2016. pp. 109-119.
“Representing Uncertainty/Claiming Indeterminacy: Aliza Shvarts’ Unseen Yale Art Project” in Resolutions3: Global Networks of Video (Eds. Ming-Yuen Ma & Erika Suderburg), Minneapolis: University of Minnesota Press, 2012. pp. 235-240.
“Public Art and Radical Democracy: Christoph Schlingensief’s Deportation Installation” in Urbanity. The Discreet Symptoms of Privatization and the Loss of Urbanity. (Eds. content.associates), Vienna. (2013). pp 11-19.
Recension of Robert Pfaller’s The Illusions of Others: On the Pleasure Principle in Culture” in European Journal of Psychoanalysis. July 2017
Review of Caroline Joan S. Picart’s Inside Notes from the Outside in Review of Communication April-July (2005) pp. 156-158